You’ve written scripts. You’ve taken the classes. You’ve chased fellowships, labs, contests, and opportunities. Maybe you’ve worked in production, development, or post. And yet, you still feel like you’re missing the "one thing" that matters most: a writing sample that truly pops and conveys your voice.

A good pitch is the key to selling your movie. If you've never written a pitch, or you want to tighten up the pitch you already have, this is the class for you. Deepen your understanding of all the elements needed to make your pitch dynamic and engaging. We will work on making your pitch connect both on the page, and, more importantly, in the way you deliver it.

In partnership with the Emory Center for Ethics, Ethics & the Arts Program at Emory University, the Atlanta Film Society presents a free screening of RIVERKEEPER and a Q&A with Dr. Jacqueline Echols. This screening is a part of Emory University's ongoing Ethics At The Movies series.

Have a story you’ve been wanting to tell but don’t know how to get it onto the page? This screenwriting intensive will guide you through the essential tools and techniques needed to develop a compelling short film screenplay.

In partnership with the Emory Center for Ethics, Ethics & the Arts Program at Emory University, the Atlanta Film Society presents a free screening of SABBATH QUEEN and a Q&A with Sandi DuBowski. This screening is a part of Emory University's ongoing Ethics At The Movies series. This event is free and open to the public.

The budget isn't coming. Let's make it happen anyway. Lean & Mean: The Art of Low-Budget Short Film Producing is a hands-on full-day workshop for filmmakers ready to stop guessing and start producing.

We’ll build a real budget from a real script, talk about where money actually goes, why insurance isn’t optional, how to stretch every dollar (and every favor), and how to allocate limited funds without sabotaging your film.

This class will provide participants with the tools to identify the most suitable festivals for their films, craft compelling submissions, and create impactful marketing strategies to generate buzz and attract audiences.

Join Director and Cinematographer Chris Anthony Hamilton for an immersive workshop that moves you beyond "auto" settings and into the art of visual storytelling. Whether you are an aspiring filmmaker, a camera assistant, or a director wanting to better communicate your vision, this course bridges the gap between optical physics and emotional impact.

This 3-hour seminar covers essential tools and techniques to help hone your vision as a director through the art of preparation. Learn how to create a compelling lookbook, design and block scenes, and the art of visual storytelling through shot listing and storyboarding.

In this class, we’ll dive into how to make a movie as a one-person crew, from planning and shooting to editing and sharing your final cut. We’ll talk about when this approach really shines, when it might not, and how to get the most out of your time, creativity, and resources. You’ll walk away with practical tips, new confidence, and hopefully a fresh spark to get out there and start filming.

Whether you’re a fashion enthusiast, stylist, or designer, if you want to learn how to develop your skills and land your first job in the costume department, this workshop is for you!

Celebrate the winter season with the Atlanta Film Society at our annual Holiday Party. Spend an evening with us at Tara Theatre for drinks, laughs, and festivities. Unwind, connect, and toast to another great year in film!

Learn the nitty gritty about getting started and actually getting paid in Voiceover & Audiobooks — It's actually a little more challenging than the TikTok ads will have you believe.

This class will provide participants with the tools to identify the most suitable festivals for their films, craft compelling submissions, and create impactful marketing strategies to generate buzz and attract audiences. Additionally, participants will explore the art of networking, and learn how to build relationships with industry professionals and fellow filmmakers to expand their reach and opportunities.

Join writer/director Carrie Schrader and filmmaker Chris Hamilton for a fast-paced, hands-on one-day workshop designed for both directors and cinematographers. Through practical exercises and collaborative scene work, you’ll learn how to break down a script, build a dynamic shot list, and bring it to life on camera—from your own unique creative lens.

Finding a job in the industry can be a challenge when you don't know how or where to start. What are the basics you need to know for an entry level position? How do you start a career without experience? How is a film resume different from a corporate one? When is the “right time” to enter the business? Who is hiring and where do I find them? What does it take to succeed in the industry?

Are you a filmmaker or producer with a project needing special effects makeup and wanting to make the best decisions for your budget? In this class, you’ll learn the pros and cons of practical in-camera effects vs. digital, plus insider strategies to cut costs and negotiate better with artists.

On Thursday, August 21, at 7 pm, Jonathan Keiran, ATLFS Programming Department, will take us deep behind the scenes of what it takes to curate a major film festival. Ever wondered how programmers decide what makes the cut? Or what truly grabs their attention in a sea of submissions? This is your chance to find out—straight from someone on the front lines of indie film selection.

Do you have an idea for a short film? Great! Where does one even begin? And when it’s all finished and you want to relax, there’s still more to do! This workshop hopes to give you the appetite to get started and see it through to the end.