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Spring Ethics @ the Movies - THE BOYS AND THE BEES / IN THE GARDEN

  • Emory University, Rita Anne Rollins Building Room 102 1531 Dickey Drive Atlanta, Georgia, 30322 United States (map)

DATE: Thursday, March 4
TIME: 7:00 PM - 9:00 PM
LOCATION: Emory University, Rita Anne Rollins Building, Room 102
PRICE: Free

In partnership with the Center for Ethics in the Arts at Emory University, the Atlanta Film Society presents a free screening of THE BOYS AND THE BEES and IN THE GARDEN, followed by a Q&A with Director Ivey Redding (In the Garden). This screening is a part of Emory University's ongoing Ethics At The Movies series. This event is free and open to the public; Ticket reservation is required.

THE BOYS AND THE BEES

FILM SYNOPSIS

Traces a family’s journey toward freedom, nurturing their bees and their young sons amid Georgia’s shifting seasons while they learn to care for the land that sustains them.


IN THE GARDEN

FILM SYNOPSIS

In the Garden is a three-generational reflection piece set in rural Georgia, where the director’s mother reflects on the life of her own aging mother. Blending documentary and narrative forms, the film tells the story of the grandmother’s life through a lyrical, long-form poem. What began as an effort to preserve the director's childhood memories - deeply tied to her grandmother and the Southern landscape - evolved into a meditation on aging and solitude. It’s an exploration of memory, family, and the inescapable pull of home.

ABOUT THE DIRECTOR

Ivey Redding is a New York City based writer-director and photographer from Atlanta, Georgia. Through her work, she examines the familiar landscapes of memory and childhood, primarily in the American South. Stemming from her career in photography, Ivey's approach to filmmaking is rooted in tender narratives centered around image and feeling in the smudged boundary between documentary and fiction. Her debut short film, In the Garden, premiered at the New Orleans Film Festival where it received the Audience Award for best short documentary.


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